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This version of “Anima Christi” was composed by Marco Frisina, an Italian Catholic priest who currently holds the position of director of the Pastoral Worship Center at the Vatican. Many composers have written settings of the “Anima Christi,” including Lully and Valentini. Sung in Latin, the sequence of sentences have a rich association with the concepts of the Eucharist, Baptism, and the Passion of Jesus. “Anima Christi” is a Catholic prayer to Jesus from the Middle Ages.
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They always make their recordings in the their chapel, which really catches their rumbling bass notes. Free printable and easy chords for song by Bukas Palad Ministry - Anima Christi. While they have not released any albums, they do have an extensive library of audio recordings available on their website, as well as video recordings. As is the custom with Franciscans, they have taken a vow of poverty.
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They began in the 1970s with just 3 monks and have grown to 13 today. Les Pauvres de Saint-François (The Poor of Saint Francis) are an order of Franciscan monks from Quebec, Canada. It is communli seide that this song was maad of Austin and Ambrose.
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The original version of Anima Christi was commissioned by Brighton Philharmonic Choir, and is dedicated to my partner Philip Adams, who played the organ at the work's first performance.The Poor of Saint Francis may be a small order, but their sound is large. I have endeavoured not to 'over-cook' these different materials, but allow each a measure of crisp independence within the whole, fashioning, in effect, a diverse musical community in which differing styles of utterance coexist as equals. While most of these 'archetypes' remain unchanged, the plainsong-style writing for the soloists is constantly transforming: stridently overlaid with itself at the start, ornately woven over long-held drones in the alto solo, finally transformed into an atonal canonic alla Sarabanda (theres a fugue in this vein by my teacher Bernard Stevens) in the tenor solo. These are all edited together with elaborate organ solos evocative of 17th-century North German chorale preludes variant settings (introspective, elaborate and chromatic) of Jesu, der du meine Seele and Freu dich sehr, o meine Seele. It is also inter-cut with George Herberts poem Easter set as simple hymnody for three-voice choir. This is first joined at the beginning and end of the piece by short fragments from the third and fourth parts of the Didache (the 2nd-century compilation of the teaching of the twelve apostles), sung in Greek by a distant group of 'ecstatic' soprano voices. Choral/Cantor Sheet Music Congregational Sheet Music Congregational Sheet Music Guitar Accompaniment Instrumental Accompaniment Keyboard Accompaniment. The text of Anima Christi is a synthesis of three different sources, the main one being the eponymous 14th-century devotional prayer, sung in Latin by the two soloists.
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